After a brief report on the 'status quaestionis' of criticism on the Latin poems by Ariosto, the essay aims to put in evidence the debts the young Ludovico incurred in relation to the humanistic poets of his age : against the opinion of Cesare Segre, who believed that the young author of Orlando furioso was influenced in his Carmina only by classic authors (above all Tibullus, Catullus, Ovid, Horace...) and was immune to the more contemporaneous influence of neo-Latin poetry, a meticulous screening of his Latin poems – nowadays made possible by informatics tools – lets us know, on the contrary, how much and how deeply Ariosto read humanistic poets like Michael Marullo, Baptista Mantuan, Tito Vespasiano Strozzi, and Fausto Andrelini. S...
L’articolo si occupa dell’evoluzione del pensiero desanctisiano sul Rinascimento e sull’Orlando furi...
Spine title: Ariosto & Boiardo.Includes index.Bibliography: pages 215-244.In remarkably intensified ...
The paper aims at investigating the early reception of Ariosto's Orlando furioso through some releva...
After a brief report on the 'status quaestionis' of criticism on the Latin poems by Ariosto, the ess...
Ludovico Ariosto was born in Reggio Emilia on September 8, 1474, to Daria Malaguzzi and Niccolò Ario...
The essay retraces the relationship between Mario Bonfantini and Ludovico Ariosto from different poi...
To many readers of Orlando Furioso, Ariosto appears to be essentially disinterested in religious mat...
The collection of the Elegiarum Aurimpiae Libri by the humanist Elisio Calenzio (Fratte-Ausonia 1430...
One of the best known works in Italian literature, the Orlando Furioso, is a continuation of the rom...
The reception of Petrarch’s Rvf seems to have been very extensive even in the so-called “century wit...
Introducing Thyeste: Tragedia da Seneca (1547), the Venetian writer Lodovico Dolce (1508–68) defines...
Moving from the idea that it is extremely easy to discuss the problem of literary genre regarding th...
Introducing Thyeste: Tragedia da Seneca (1547), the Venetian writer Lodovico Dolce (1508–68) defines...
This paper focuses on the corpus of twenty three Latin poems held in the ms. Macerata, Biblioteca Co...
First best seller of Italian literature, the Orlando Furioso by Ludovico Ariosto was printed at Ferr...
L’articolo si occupa dell’evoluzione del pensiero desanctisiano sul Rinascimento e sull’Orlando furi...
Spine title: Ariosto & Boiardo.Includes index.Bibliography: pages 215-244.In remarkably intensified ...
The paper aims at investigating the early reception of Ariosto's Orlando furioso through some releva...
After a brief report on the 'status quaestionis' of criticism on the Latin poems by Ariosto, the ess...
Ludovico Ariosto was born in Reggio Emilia on September 8, 1474, to Daria Malaguzzi and Niccolò Ario...
The essay retraces the relationship between Mario Bonfantini and Ludovico Ariosto from different poi...
To many readers of Orlando Furioso, Ariosto appears to be essentially disinterested in religious mat...
The collection of the Elegiarum Aurimpiae Libri by the humanist Elisio Calenzio (Fratte-Ausonia 1430...
One of the best known works in Italian literature, the Orlando Furioso, is a continuation of the rom...
The reception of Petrarch’s Rvf seems to have been very extensive even in the so-called “century wit...
Introducing Thyeste: Tragedia da Seneca (1547), the Venetian writer Lodovico Dolce (1508–68) defines...
Moving from the idea that it is extremely easy to discuss the problem of literary genre regarding th...
Introducing Thyeste: Tragedia da Seneca (1547), the Venetian writer Lodovico Dolce (1508–68) defines...
This paper focuses on the corpus of twenty three Latin poems held in the ms. Macerata, Biblioteca Co...
First best seller of Italian literature, the Orlando Furioso by Ludovico Ariosto was printed at Ferr...
L’articolo si occupa dell’evoluzione del pensiero desanctisiano sul Rinascimento e sull’Orlando furi...
Spine title: Ariosto & Boiardo.Includes index.Bibliography: pages 215-244.In remarkably intensified ...
The paper aims at investigating the early reception of Ariosto's Orlando furioso through some releva...